Today’s font of choice is Scratch, by US-based graphic designer Luis Palencia. He comments on Behance: “Inspired by classic Gotham and sans serif fonts, Scratch is an uppercase display typeface, suitable for titles and headlines.”
Founder of Typodermic Fonts and type designer Ray Larabie is behind today’s font of choice Pakenham Regular. Available fromHypeForType, and inspired by Paul Renner’s 1950s creation, Steile Futura, Pakenham is described as having ‘an upright, modern look with gently turned corners and generously proportioned loops’.
Part of larger font family, Pakenham Regular is available as a free download for both personal and commercial use over onHypeForType.
Toni Hurme’s long history in branding and packaging work often led him in search of typefaces that were yet to exist. Five years ago, that search led him to discover type design. He’s been running his type foundry, Hurme Design, ever since. Toni’s first commercial release, Hurme Geometric, is based on a practice he’d used frequently in his graphic work: expanding a single concept into a wide range of possibilities.
Port is an experimental Didone typeface with a modern twist, inspired in the well known forms of typography masters such as Bodoni and Didot and the exuberance and elegance of calligraphy typefaces.
Port melts the straight lines and strong contrasts of the Didone typefaces with the elegant lines of calligraphy in a geometric way, resulting in exuberant characters with geometric swashes that can be combined in countless ways.
The result of this experiment is Port, an unique and rich display typeface meant to be used on big sizes and it’s main perk is the amount of alternative characters it features. Port is Open-Type programmed and includes hundreds of alternates, from swashes to titling alternates, ligatures and stylistic sets with each character having a thin version of itself, giving complete freedom to all your creative needs.
YWFT Valley is a thin, lean and fashionable sans-serif, display font which takes the notion of ball and stick form quite literally. The pattern of dots plays between letters adding to the rhythmic pacing when typeset. YWFT Valley pays homage to post-modernism in its embrace of a variety of stylistic alternates and ligatures, many of which were inspired by Lubalin’s typographic innovations. Valley is available in opentype format, containing letter alternates, swashes and ligature design options.
Hiruko Pro is a brand new improved version of our original release back in 2008. We have made many improvements to the original family including the re-drawing of a variety of characters, improved kerning, and 4 brand new weights to help give the overall family more balance. Hiruko Pro works well both as a headline and a text font, and it also renders nicely on the web. This type family has been produced to the highest standard with each weight supporting 27 different languages. Hiruko Pro comprises of 20 weights, ranging from Extra Light to Black.
Now 98% off, grab it quick!
Go. It is very much a child of the new millennium, inspired by the unmistakable minimalist style of modern 21st century corporate logos, recent design shifts in electronic music and club-marketing collateral, and disc jockeys who have enthusiasm, energy, precision and total control of each and every vibration traveling from mixer to speakers. Go is an original modern techno-lounge face that offers the eyes pleasing collages of friendly minimal forms that give the words an impression of simplicity and depth at once. This is a font that prides itself on its precise grouping of elements and just enough original creativity in combining those elements. The precision builds the sharp edge sought for modern statements, while the creativity keeps the message rejuvenated, clear and interesting. Go’s character set consists of a versatile and unexpected, yet mild mix of the uppercase and lowercase forms, with multiple variations on the majority of the letters.